Who I love [you]
You old woman with a walker on the cobblestone roads
wearing shimmer and radiant lilac saying “excuse me, its my birthday”
as I kiss your cheek, touch your arm and say “Feliz en tu dia”
teeth [after shellyne's 'deity']
I am not alone
and we are not afraid.
Declaración sobre la cancelación del evento de inauguración del Museo de Arte Eli y Edythe Broad en MSU y la censura de la exposición #DiasporicCollage: Puerto Rico y la supervivencia de un pueblo
El pasado miércoles mi co-curadora y yo fuimos informadas de una decisión tomada por la alta administración y la dirección de Michigan State University (MSU) en relación a la exhibición Diasporic Collage.
Statement on the cancellation of the Broad Museum opening event and the censorship of the exhibtion: “Diasporic Collage: Puerto Rico and the Survival of a People”
This morning my co-curator and I were informed of a decision that came down from MSU upper administration and university leadership regarding the “Diasporic Collage” exhibition.
Look! A Whore. A Black Latina in the Field
You bundled up in your wool coat, doubled checked the contents of your bag (microphone, iPad, iPhone, wallet, notebook, pencil case, chargers), and grabbed your travel mug.
dyeing: an autoethnography
i dyed alone.
i died and made a pact with the dead,
Grief to the Bone: bodies that remember [Part 1]
We lost our first baby in 2013. I woke up one August morning with sharp pains coming in quick succession.
Grief to the Bone: bodies that remember [Part 2]
Fifteen days before we found out that our baby’s heart had stopped beating we were driving from Michigan to Baltimore for a post-holiday family gathering.
2:37pm
you worry you have no imagination no worlds outside your own
borikén's present past or the archive of disappearances
48 weeks ago i was floating in the water on the edges of the beach in piñones. this is not a photo of piñones.
Writing in Fire: Honoring the Life & Legacy of Michelle Cliff
In her 1994 article, “History as Fiction, Fiction as History” Michelle Cliff asks, "How do we capture the history that remains only to be imagined?"
in a time of love and fury
"tell them that she even though she called the police a few times when he hit her she would [later] drop the charges. [we] could not use [that evidence] in court. he got away with murder."